The Shostakovich String Quartets
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The Shostakovich String Quartets | The Emerson String Quartet
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In contrast with the broad acceptance of Shostakovich's larger-scale works, such as his film scores and symphonies, which found immediate response worldwide from the 1920s through to the 1970s, public acceptance of his string quartets has come much slower. At the time of Shostakovich's death in the early 1970s, I know of no string quartet, at least in the West, which had played a complete cycle of all fifteen string quartets. Slowly though, starting in the early 1980s, quartets all over the world began to learn the quartets and even perform them as a cycle.
The complete cycle is a tremendous journey; not only are many of its works long, they are also extremely difficult to learn. And it has taken some time for audiences to begin to hear, on a broader scale, some of what Shostakovich's expresses in his string quartets, and to accept and experience these pieces as music of our own time. (The Emerson String Quartet's recording of Shostakovich's quartet cycle has just now been released, nearly a quarter century after the composer's death.) Audiences of the 1980s did not flock to hear Shostakovich's string quartets, but they do in 2000.
Listen: The Emerson Quartet talk about performing Shostakovich |
The Emerson String Quartet has a visceral understanding of this music. Many say you need to be Russian in order to communicate Shostakovich's meanings, but here are four American lads who have somehow penetrated the code and grasped the essence of this music. Their performances radiate passion, commitment, and brilliance; their intonation is impeccable. But you don't listen to Shostakovich quartets just to hear four people, however illustrious, play together and in tune: you listen to get to the heart of the message. That is what so moves me in the Emerson String Quartet's interpretations of these intense and fascinating works.
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